Boris Hoppek doesn’t say much but this seems to be because he’s working all the time. He creates characters and creatures, which he recycles in a continual process of variation, as dolls, installations, animation and graffiti. His iconic “Bimbo” character, bluntly refering to the racist imagery of mistrell shows, has reached a level of abstraction that enables it to re-appear in art shows, street art interventions and multi-million car campaigns alike.
As the German zeit-geist magazin De:Bug proclaims: “his Klukluxklan, bimbos, cannibals and Hitler figures are for everybody to love, all the time and everywhere…”
As the German zeit-geist magazin De:Bug proclaims: “his Klukluxklan, bimbos, cannibals and Hitler figures are for everybody to love, all the time and everywhere…”
